Depth – or Not

I love to draw with ink, any kind, from ordinary ballpoint pens to soft paintbrushes that I dip in rainbow colors. When I start, I use black or blue ink, making free-form energetic scribbles. As I stare at the abstract field of looping lines, I envision a design. To emphasize this image, I cut away

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Introduction: La Foresta

A guest post, by Curator Jen Dragon. A concept that originated in Japan during the 1980s, Forest Bathing, or mindfully walking in the woods, is prescribed as an antidote to an increasingly technological and alienating world. Kaethe Kauffman meditates on the unseen systems of forest growth as well as on memories of the calm, steady

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La Foresta

Venice, Italy lacks a forest. Throughout my life, I’ve always lived with abundant trees nearby. When I was invited to exhibit in Venice during the time of the large art fair, the Venice Biennale, it seemed necessary to give Venice a forest, albeit in an art gallery. Floor-to-ceiling ink drawings of foliage hang, some against

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X Buddhas

In X Buddhas, I combined ink drawing with collage. I superimposed a photograph of a black Buddha statue in front of the larger white seated shape. I placed these two on top of a background of tiny hand-drawn ink lines. The ink backdrop was darker and denser at the top and lighter at the bottom,

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The Mother Tree

The top half of the drawing, The Mother Tree, depicts an expansive tree that spreads beyond the picture plane. Autumn colors bless her leaves. When I contemplate this drawing, I can see several possible interpretations of the drawing’s meaning.  The large tree appears steadfast. In the lower half of the drawing, four small trees blow

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Buddha Floating

Using ink and acrylic, I drew a meditating figure floating atop a void. The darkened ovoid space below the figure reminded me of an apple-shape. I grew up in Seattle and we had several apple trees on our land, perfect places of refuge. On many a spring, summer and autumn day, I climbed a tree

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Clouds Low

Clouds Low is an ink drawing that depicts people meditating in nature. The left figure sits among boulders. She consists of multiple layers: the white outline, an off-white area inside the outline and an inner space with tightly drawn ink lines. When I meditate, I feel an outer level, symbolized by the outline, that is

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