I love to draw and paint the hallowed energies that surround me during meditation. After a meditating, I go to my studio to draw. I create geometric shapes in the area around the figure: these appear to me as if they represent an unconventional altar. As I continue to draw these sacred spaces, I often …
Dream Time in the Gallery was a single event: a night-time sharing of group sleep energy surrounded by spiritual art. Around a dozen art lovers from Italy and America assembled at my exhibition, Yoga: Interior and Eternal at Castello 925 gallery in Venice, Italy (affiliated with the Venice Biennale 2022). The exhibition featured floor-to-ceiling art, …
In July, 2022, I’d mounted my exhibition, Yoga: Interior and Eternal, in an art gallery affiliated with the Venice Biennale in Italy. I went there to install thirty floor-to-ceiling mixed media pieces. They all explored close examination of the joints in the female form, after having been twisted in yoga postures. The exhibit stayed up, …
In Venice, Italy, I gazed upward into St. Mark Basilica’s West Dome, unaware that I would soon receive a revelation. These delightful Byzantine style mosaics – exploding with the raw power of flattened designs without naturalistic perspective – portrayed the Holy Spirit at the top of the dome, symbolized by a dove sitting on a …
I keep my sketchbook next to the phone. When I enjoy a long conversation with a loved one, I mindlessly doodle. My muscles seem to contain a nervous volition, all their own. At the end of the call, I glance at the abstract drawing and label it with the person’s name: “Karen’s Call,” “Jon’s Call.” …
2020 November 11 – 2021 December 31Making the Invisible VisibleVirtual Exhibition Kauffman creates mixed media pieces that depict people in meditative states; they dwell where the physical and the spiritual meet. As in much religious art, the creative process itself strengthens the artist’s private contemplative practice. View the exhibit online here. Kauffman begins by making …
Bravo to Henri Matisse (1869-1954). He followed his vision in spite of harsh art world judgments. In 1908, he wrote: What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject matter…a soothing, calming influence on the mind. The art world has always taken itself seriously, no …
The pandemic has held us captive for almost a year. We’ve needed to make long-term and on-going adjustments to protect ourselves. As we approach our first anniversary with COVID19, we’ve seen the people who couldn’t cope: the ones in denial who said it wasn’t real, the ones who rebelled and met together in large unmasked groups, …
In October, our thoughts turn to those spirits who may still roam among us. Other cultures didn’t try to keep these phantasms away, but encouraged them to stay with us, believing them to be ancestors who could help us from the beyond. The Standing Gong from North Ambrym Island in Vanuatu, a South Pacific nation, …
Lorna Simpson, III (Three Wishbones in a Wood Box), and Gary Simmons’, Can’t See Straight, works are dissimilar in appearance. But they unite in concept. Both tap into a human yearning: to believe a wish could be fulfilled. Simpson’s presentation is potent, but aloof. An orderly arrangement of seven wishbones in three vertical rows, invites …
